Batman AK is out

BATMAN: ARKHAM KNIGHT

batman AK

The video game Batman Arkham Knight was finally released worldwide on June 23 and I am very pleased to share with all of you my participation in the orchestration team led by Tim Davies.

This is a very special project for me, because it was the first project I participated in after moving to Los Angeles.

The music was composed by Nick Arundel and David Buckley. I joined the orchestration team in the last phase of the project. I did MIDI transcriptions, prepared sketches for Tim, and also did proofreading for some of the cues.  

A little more than a year after having worked on the project, it is finally available to all of you who have consoles, which makes me think I should get one to experience the game myself! 🙂  

It was a truly rewarding experience with a wonderful opportunity to apply my knowledge in orchestration and learn new things from Tim’s experienced orchestration team. 

CARTA A UNA SOMBRA (Letter to a Shadow) 

Documentary; winner of two awards at the 55th Cartagena Film Festival (aka FICCI); opened in Colombian theaters on June 26, 2015. 

Carta a una sombra

It was a pleasure to have worked as lead orchestrator on this Colombian production which was recognized with two awards at the oldest film festival in Latin America, the 55th Cartagena Film Festival. It was awarded the “Special Prize” by the Jury and the “Audience Award”.

The music was composed by Colombian composer Camilo Sanabria and it was recorded in Bogotá with members of the National Symphony of Colombia. The documentary was directed by Daniela Abad and Miguel Salazar.

Featured in International Media

After having worked for a year successfully in Hollywood, I was very fortunate to have my story covered by the most important media outlets for Latinos in the United States and my native Colombia. I was interviewed by EFE, the major multimedia news agency in Spanish and the world’s fourth largest wire service after the Associated Press, Reuters, and Agence France-Presse. The article was featured on Univision, Fox Latino News, Caracol Radio, La W Radio, Terra and Cable Noticias Colombia. I was also interviewed by El Latino San Diego. To read the articles (in Spanish), click on the logo of each news outlet. For non-Spanish speakers, I have included the text of the article in English below the links.

 

Caracol Logo      W Radio Logo   El Latino San Diego      Cable Noticias Logo

ANDRÉS MONTERO, THE COLOMBIAN PROMISING STAR OF FILM SCORING IN HOLLYWOOD

Miami (EE.UU) March 4 (EFE). According to the young Colombian musician Andrés Montero, “there are no limits” in writing music for films. Nor are there any in his musical career, which began in front of a piano when he was 7 years old and continues today in Hollywood, where he works with the acclaimed orchestrator and composer Tim Davies. The first achievement of this collaboration was the orchestration for the video game “Batman: Arkham Knight”, which will be released mid-2015, and it shows, as Montero explained in the interview with Efe, the “magnitude” of professional projects in the film industry mecca.

The 26-year-old orchestrator participated alongside Davies in Mexican director Jorge Gutiérrez’s film “The Book Of Life”, which was nominated for a Golden Globe this year, and Disney’s “Alexander and the Terrible, Horrible, No Good, Very Bad Day”. Montero’s American dream began just three years ago, when he entered a film scoring program in Los Angeles, but his trajectory started long before –  playing piano at the Conservatory of the National University of Colombia. “Back in the day, the composition I was studying was (…) too intellectual, which I liked, but we had a film-scoring class and I realized that that was what I wanted to do in my career”, he reminisced. In his last year as student, Montero won a competition and performed one of his favorite pieces, “Rhapsody in Blue”, by the American George Gershwin, with the Symphonic Orchestra of the Conservatory. This concert launched his professional career. The director of the academic music education counts on him as a soloist for multiple shows that led to the establishment of what is today the Capital’s third professional symphonic orchestra, La Fundación Orquesta Sinfónica de Bogotá (FOSBO), of which he is a co-founder.

His professional debut as pianist was at the first New Year’s Concert celebrated at the Fine Arts Theater, a cultural institution where he worked as artistic coordinator for two years before his move to the United States in 2012. According to Montero, who also played for the beauty pageant Miss Colombia, the piano allows “experimentation” with an orchestra, because it offers a “general map of all ranges and sounds” that one can get away with. “Working with a symphonic orchestra has been a fundamental part in my work”, he said. “In fact, combining instruments to create different textures is what made me pursue a career in film scoring”, he revealed.

While studying in the University of California, Los Angeles (UCLA), he was selected to be part of the Mentor Program by the Society of Composers and Lyricists, where he met renowned Hollywood musicians, the likes of Oscar nominee John Powell and Emmy winner for the music of The Simpsons, Alf Clausen. It was there that he met Tim Davies, who in March 2014, offered him a job that has been extended to this day and has resulted in many projects. “In films I can use any technique and style – there are no limits” Montero pointed out, who embraced the possibility of composing music for a variety of genres from horror to romance.

While his goal is to keep working as an orchestrator for Davies, Montero reaffirmed his desire of composition and being involved in projects where he can write original music. “I want to start to write music for short films. I have been working on some of them with many directors, but eventually, I want to write for feature films” he said. The Colombian youth, based in multicultural Los Angeles, assured that “Latinos have entered the film industry gradually” and he is very proud to see Mexican directors such as Guillermo Del Toro or Oscar winners Alfonso Cuarón and Alejandro G. Iñarritu making waves in Hollywood and paving a way for others. EFE

Meeting John Powell at FOX

Oscar® nominee John Powell and Andrés Montero.
Oscar® nominee John Powell and Andrés Montero.

September 29, 2014 – Los Angeles, CA – My move from my native Colombia to LA was full of  new experiences. One of the first, exciting things that happened to me was the Mentor Program offered by the Society of Composers and Lyricists (SCL).

When I saw that the SCL was accepting interns for the Mentor Program (Fall 2013), I sent in my application and my best demo. A couple of weeks later, I received my acceptance! I was very excited for my first step as a composer out of school, starting to see the real world.

The first meeting took place at composer and SCL Board member Chris Farrell’s studio, who gave us interns an introduction of how the program would be. After that, we had the opportunity to talk to Emmy-nominated composer Miriam Cutler; Hollywood percussionist MB Gordy; lawyer, and writer of the book “Music Publishing – The Complete Guide”, Steve Winogradsky; three-time Emmy Award-winning composer and Director of audio/video for Blizzard Entertainment Russell Brower; President of the SCL Ashley Irwin; and recording and mixing engineer John Rodd.

The highlight of the program was attending the recording sessions. The first one I ever attended was of the world-renowned animated TV Series The Simpsons, at the historic Newman scoring stage in FOX Studios. It felt very special witnessing the music for one of my favorite TV shows being recordedThe best moment was hearing the main theme played by the orchestra for the closing credits (in a great arrangement for band). Afterwards, I had a short conversation with the man behind the music of the show, Alf Clausen. I have the utmost respect and admiration for him, for his amazing work through the years.

Family Guy scoring session at FOX.
Family Guy recording session at FOX.

I also attended the sessions of the show Family Guyscored by Ron Jones, and the movie Rio 2, with Oscar®-nominated composer John Powell. This last one was very special because sessions for TV are slightly different from sessions for features. The orchestra is bigger, and usually, the cues are longer. While we were in the stage for the first part of the session, we were invited by John Powell to sit in the booth (as he said, ‘The experience is totally different’). And yes, it was!

To sum up, the whole program was a very rewarding experience, affording me a glimpse into the inner workings of music-making in Hollywood. I thank the Society of Composers and Lyricists, and especially Board member Elizabeth Sellerswho was my main mentor.

2014: Batman, Revenge and more

Batman Arkham KnightFebruary 16, 2015 – Los Angeles, CA –  Everything started in March when I had the privilege to join the orchestration team led by Grammy® nominee composer and orchestrator Tim Davies. The first project I worked on was the video game Batman: Arkham Knight, with music by David Buckley and Nick Arundel. I entered the project when it was in its last phase, to help proofread and sketch a couple of cues. I also helped with some minor editing and proofreading of scores for some orchestral arrangements Tim did for the Hip-Hop artist NAS. The same week, I worked on a cue for Tom Cruise’s Edge Of Tomorrow.

In June, Tim Davies was working with composer and two-time Oscar® winner Gustavo Santaolalla on the score of the FOX animated movie The Book Of Life, starring Diego Luna, Zoe Saldana, Channing Tatum, produced by Guillermo Del Toro and directed by Jorge Gutierrez. I worked for the lead orchestrator Jeremy Levy, proofreading all the orchestral scores. One of the best moments during the project was joining the music team at the premiere in Downtown Los Angeles!

 Top L to R: Ryan Humphrey, Tim Davies, Jeremy Levy, Andrés Montero, Susie Seiter. Bottom L to R: John Jennings Boyd and Devin Roth.
The Book Of Life premiere in Los Angeles.
Top L to R: Ryan Humphrey, Tim Davies, Jeremy Levy, Andrés Montero, Susie Seiter. Bottom L to R: John Jennings Boyd and Devin Roth.

For the last couple of months, Tim has been orchestrating the primetime television series Revenge (ABC) with music by Fil Eisler. For one of the episodes, I had the honor of orchestrating part of the music and joining the recording session held at the historic Newman Scoring Stage at FOX Studios.revenge